![]() Some places do all their booking on a specific day of the week. ![]() It’s standard practice and you should never hesitate. Follow Upīooking contacts are notoriously bad at getting back to people. Doing things like this will mean that even if you're an unsigned musician, you'll come across professionally. And then a link to pictures, quotes and more.Īt the end of the email I’ll give a little more detail on what kind of bill I want to set up, and then in my email signature I provide a phone number and links to social media. Then, I give them everything they need to know to decide whether I’m a good fit for the venue. Note that I immediately tell them what I want: a show on a specific date. In about 50 words, I gave the venue/organizer/booking person everything they need to know to book me. I am looking to book a show on April 12, 2019, if you have that date available. It’s an art form that I have practiced and am close to mastering.īooking emails should be: concise, thorough and easy to understand. Sending a good booking email is an art form. Ask for the contact information, and also ask how the financial deal was structured – it’s always helpful to have an idea of what you’re getting into. All musicians know the struggle of booking shows, and are generally happy to help out. Last, but not least, ask other musician friends for contacts. If it’s not the right contact, it’s still a place to start. If the website does not have the information, check Facebook next.Ī lot of venues will have some contact information on Facebook. If not, start an email for the booking contact. If they have a booking form, fill it out to the best of your ability. Most venues will give you the booking information right on the website. Sometimes, this process is hilariously hard.įirst, check the website. There are three ways to get the booking contact for a venue. Once you've figured out where you'll be playing, it’s time to: Find The Booking Contact Your shows should always be packed, giving off a sense of excitement. It will feel empty and weird and you won’t make any money. If you think that you can get 40 people out to a show, don’t book a show at a 300-person venue. If you are a metal band, don’t book into a coffee shop. ![]() You need to play the right venue for your audience and for your music. Sure, some artists and bands might be playing in your local 1,000-seat theater – that does not mean you should. Part of researching the venue is deciding whether you are a good fit for the venue. Usually, you can also find a bunch of venues in your local live music listings (check online or in an entertainment magazine). This is a great way to meet other local artists (who you will be playing with anyway) and meet the people who book shows in the city. If you’re at a loss, start getting out to other people's shows. You need to figure out where you're going to play. Interested in booking a show? Follow these simple steps: Research The Venueįirst things first. Be Strategic When Book Shows, Especially As An Independent Musician!.
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