For those needing it, should be worth 3-400USD/year (5-600 for Nuendo). I have no idea if the customer base of Cubase / Nuendo can support something like this. The whole customer support thing is stellar and I actually became friends with people in their team. Usually, if it’s not some huge thing, it’ll be solved in the next build (that is, a week or two). When you submit a bug, you have access to a customer portal that lets you track the bug. Once in 2 monts there would be a milestone “Production build” that becomes the new bottom line build and so on. They would have new builds each week with minor fixes and developments. You would spend 2000USD on a perpetual licence and then 1000USD / year for support and upgrades. The software in that field lives in very different price brackets. I spent a lot of my professional life as a visual effects guy and I’m used to some software there (Houdini, specifically). I guess it depends on the quality of support, otherwise should stay as it is: you pay some reasonable sum for an annual upgrade and God help you if you need support. Okay, but what are you willing to pay for then? It isn’t smart to anger them arbitrarily. A lot of us will fight to the death to avoid subscriptions. Why should I start paying you monthly for a bunch of stuff I will probably never use.” b) you haven’t made any appreciable improvements for years. Many of us looked at the various Waves plug-ins and said, “a) I barely use these. And actually, their “offer” might not have been quite so brutal, but that’s how it sounded to the user base. But once Waves declared that you had to subscribe to the whole library or you were cut off, that’s a whole different proposition. It was the proposition of free choice versus a gun to the head. I made a choice without a gun to my head, and I was OK with that. Nonetheless, I previously chose to upgrade the support plan every couple of years, “just to stay current”. I really don’t use them very much because the capability built into Cubase and StudioOne covers most of that well. They were priced at a level that made sense. I have accumulated a collection of Waves plug-ins over time – not a large number, but 6 or 8 that came in handy on certain projects. A riot ensued and Waves was forced to retreat, but probably lost many customers in the process. ![]() If they are thinking of anything along those lines, they’d better have a look at the mess that Waves created for themselves recently when they tried to force everybody onto a subscription basis. Refined tuning has been given multiple times to ensure the cleanest sound quality.Perhaps that they will move to a 12 month style service agreement plan We care a lot about your signal and how to preserve it. Its processing adds 23ms of latency, which is not instant but competitive when compared to other pitch-shifters. ![]() Graillon is the result of a long search for new kinds of vocal effects. Graillon Free Edition gets the Pitch Shifting and Pitch Correction.The Pitch Correction module brings an immediate robotic sound, while the Bitcrusher addition softly add sparkles to the mix. The Pitch Shifter cleanly transpose a voice up and down, and has been optimized for voice. The Pitch-Tracking Modulation, unique to Graillon, changes the type of speakers, generates throat sounds, creates choruses, make octaver sounds, enriches a voice to make it more masculine. Graillon is a Vocal Live Changer that brings a world of possibilities right into your DAW, with carefully designed features:
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